NICK JONGERIUS: Thank you very much! Really appreciate the attention and hopefully I’ve answered your questions to your satisfaction.
F: Besides the climax of 1931’s Frankenstein, I can’t think of a windmill being an important set piece in a horror film. You’ve built an entire film around one. Why?
NJ: Hahaha. There is a small part for a windmill in Sleepy Hollow, but I guess you are right. I think windmills have followed me my whole life. I was born on a street called the Saw Windmill street, which was near an old creepy windmill. Where I live now there are a lot of windmills too. They kind of creep me out, because they stand tall in the field and have no windows. If a swinging blade hits you, you will likely die. I really liked the idea of this thing that creeps me to be the arena for my feature debut.
F: The Windmill successfully blends classic tropes of slasher films, “The Twilight Zone,” and traditional ghost stories and legends. I feel like the “dark and stormy night” style of storytelling is in short supply these days, so what inspired you to bring it back?
NJ: Thanks. I hear what you are saying and I agree. Chris Mitchell (screenwriter) and I really love the old Amicus movies and Agatha Christie. These stories in which strangers get stuck with one another and once the shit hits they realize they have something in common. In that sense this film is definitely a throwback to these old movies. I like characters who are outspoken and differ from each other. It gives tension in a group and the horror elements change the dynamics constantly. The film… Continue reading
The Windmill is a slasher film and a spooky supernatural tale in the tradition of “The Legend of Sleepy Hollow” and countless campfire tales. The film is very good and certain to please a wide variety of horror fans. It’s gruesome and gory, yet restrained when it benefits the eerie atmosphere. The acting is top shelf too, featuring the always expert Noah Taylor (“Game of Thrones”, Charlie and the Chocolate Factory) as the troubled doctor Nicholas and Charlotte Beaumont (“Broadchurch”, Jupiter Ascending) in the lead role of Jennifer. Jennifer is an Australian fugitive on the run in Amsterdam. She ends up with Nicholas and a diverse cast of characters on a tour bus in the back country of Holland. When their bus breaks down near a dilapidated ancient windmill, all hell breaks loose and the passengers begin to disappear one by one as is the tradition of any good slasher film.
What sets The Windmill apart from most slashers is the care taken in creating atmosphere. Who knew Holland’s countryside could be so ghostly and weird? The surroundings are evocative of sets from classic monster movies, but with enough grimy realism to make them worthy of being inhabited by modern characters. The story is given some additional depth by implementing the classic Serling-esque trope of anti-heroes as acceptable targets for supernatural punishment/redemption. Our protagonists all have checkered pasts that ultimately led them to the windmill. This trope can… Continue reading
Video games and movies have always had a bit of a tenuous relationship—video games and horror movies even more so. While they’ve definitely been done with varying degrees of success, there are plenty of horror flicks that have either based their plots or their kills around a variety of games. Here are five horror movies that have called it “game over” for their characters.
Somehow David Cronenberg was able to take his trademark body horror and apply it to the video game world. In ExistenZ, Jennifer Jason Leigh is a VR game designer that creates games for grotesque bio-organic consoles known as “game pods.” She goes on the lam with a security guard (Jude Law) as they try to escape the assassins of a rival company in a world where you can never quite tell what’s real. Equal parts Videodrome and Mulholland Drive, ExistenZ is definitely one of the weirder entries in Cronenberg’s filmography, but it remains an overlooked classic of modern technological horror that has been called “a game culture masterpiece.”
Wishmaster 2 is an almost impressively bad straight-to-video sequel for the 1997 film Wishmaster. The plot doesn’t make any sense and the acting is positively terrible, but we’d be lying if we said that it didn’t include some innovative kill scenes. While the movie doesn’t actively revolve around games, it uses a casino to great effect as the evil Djinn sets up shop collecting souls by granting the wishes of casino patrons in horrifyingly misconstrued ways. Among these is a hilarious CG roulette wheel that sprouts blades and becomes a spinning wheel of death. There are also slot machines that deliver their payouts through the bodies of their players. The use of a real-life casino is a novel and unique setting,… Continue reading