SiREN is a very fun monster movie based on the short “Amateur Night” from V/H/S. In this feature length version, director Gregg Bishop takes the simple idea of the wolf in sheep’s clothing and adds a whole slew of hints at a much larger world full of mystical adventure and threats. Hannah Fierman returns as “Lily” the sweetheart of a monster who has big eyes and bigger teeth. Justin Welborn (The Signal) really shines as the villain of the story, the human/inhuman trafficker “Mr. Nyx.” Nyx runs an anything goes Eyes Wide Shut style club in a mansion in the middle of the woods of the southern town of Garden City. When groom to be “Jonah” rolls in with his groomsmen to celebrate his bachelor party, the excrement makes physical contact with a hydro-electric powered oscillating air current distribution device.
At first, the foursome of the groom and his men come off as templates of The Hangover gang, but the writers manage to give them a little more depth as the story progresses. All of our leading men turn in solidly charming performances. It doesn’t hurt that the creators of SiREN don’t settle for a simple douchebags in peril storyline. They give what could otherwise be a forgettable film an edge by including a veritable Star Wars Cantina of supporting creatures and weird patrons at Nyx’s club. Brittany S. Hall as “Ash” is a particular standout. The reveal of her character’s special talent suggests a magical world supporting the action of our… Continue reading
In Los Parecidos (The Similars) writer/director Isaac Ezban has created a loving tribute to the horror and sci-fi masterpieces of 1960s TV and film. The setup will be familiar to anyone who has ever seen an episode of “The Twilight Zone”. Onscreen text establishes that it’s October 2, 1968 as a rainstorm wails outside a remote bus station. A male actor delivers a voiceover narration in a clipped baritone in the sale of Rod Serling introducing one of the story’s ancillary characters “Martin”. Martin works the ticket counter and reads nudie magazines and listens to the radio to pass the time. A young man with shaggy hair and one hell of a beard “Ulises” is frantically trying to get to Mexico City as his wife is in labor in a hospital there. A young woman fleeing her abusive husband arrives; she too is trying to get to Mexico City to escape her abuser. An indigenous woman (possibly Mayan or Aztec) is also in the station. She is agitated and seems to be praying or performing some sort of religious rite in the corner. Meanwhile, as other characters arrive at the station, something truly bizarre begins to unfold as Martin spontaneously grows a beard and starts to morph into Ulises’ twin. From this point, paranoia and fear take over the proceedings as our stranded cast of characters try to deduce what is going on and who is responsible for it.
Fans of “The Twilight Zone” will appreciate The Similars. The vignetted photography and use of filters create a vintage look and Edy Lan’s musical score is a perfect homage to the work of Bernard Herrmann. This film really feels like a lost episode of the TV series that inspired it. Like Serling, Ezban works some political and classist… Continue reading
NICK JONGERIUS: Thank you very much! Really appreciate the attention and hopefully I’ve answered your questions to your satisfaction.
F: Besides the climax of 1931’s Frankenstein, I can’t think of a windmill being an important set piece in a horror film. You’ve built an entire film around one. Why?
NJ: Hahaha. There is a small part for a windmill in Sleepy Hollow, but I guess you are right. I think windmills have followed me my whole life. I was born on a street called the Saw Windmill street, which was near an old creepy windmill. Where I live now there are a lot of windmills too. They kind of creep me out, because they stand tall in the field and have no windows. If a swinging blade hits you, you will likely die. I really liked the idea of this thing that creeps me to be the arena for my feature debut.
F: The Windmill successfully blends classic tropes of slasher films, “The Twilight Zone,” and traditional ghost stories and legends. I feel like the “dark and stormy night” style of storytelling is in short supply these days, so what inspired you to bring it back?
NJ: Thanks. I hear what you are saying and I agree. Chris Mitchell (screenwriter) and I really love the old Amicus movies and Agatha Christie. These stories in which strangers get stuck with one another and once the shit hits they realize they have something in common. In that sense this film is definitely a throwback to these old movies. I like characters who are outspoken and differ from each other. It gives tension in a group and the horror elements change the dynamics constantly. The film… Continue reading